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I recently began a blog series entitled Hymns We Should Sing More, which seeks to edify the church with rich, biblical hymns. This is the eighth installment in this series. You can read the previous installments here.

All around the world, Christians gather for corporate worship and sing songs, hymns and spiritual songs as an act of worship to God. Specifically these hymns are full of rich biblical truths about God, mankind, salvation, the coming Kingdom and many other theological topics. Unfortunately, many Christians are unfamiliar with a vast number of theologically rich hymns.

When hymns are sung in a contemporary worship service, there is often a lack of repertoire of hymnology. This series, Hymns We Should Sing More, is a means of getting more Christians aware of the vast number of theologically rich hymns that we rarely, if ever, sing.

The hymn Stricken, Smitten, and Afflicted  was written by Thomas Kelly in 1805. Set to somber music, Kelly has written masterfully about the death of Christ. The hymn exposes the true nature of our sin and guilt by showing the only remedy appropriate: the death of the Son of God. Churches would do well to sit under the weight of this hymn, drawing us deeper into the wounds of Christ, the Son of Man and Son of God.

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I recently began a blog series entitled Hymns We Should Sing More, which seeks to edify the church with rich, biblical hymns. This is the eighth installment in this series. You can read the previous installments here.

All around the world, Christians gather for corporate worship and sing songs, hymns and spiritual songs as an act of worship to God. Specifically these hymns are full of rich biblical truths about God, mankind, salvation, the coming Kingdom and many other theological topics. Unfortunately, many Christians are unfamiliar with a vast number of theologically rich hymns.

When hymns are sung in a contemporary worship service, there is often a lack of repertoire of hymnology. This series, Hymns We Should Sing More, is a means of getting more Christians aware of the vast number of theologically rich hymns that we rarely, if ever, sing.

The hymn From Whence This Fear and Unbelief was written by Augustus Toplady (who also wrote famous hymn Rock of Ages) in the 18th century. Augustus beautifully writes of Jesus’ finished and complete work, calling upon the believer to rest in Jesus’ efficacious blood. Are you struggling and doubting God’s love and acceptance of you? Bask in the comfort of Toplady’s words, who invites you to trust and rest in the Gospel’s full and final pardon.

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I recently began a blog series entitled Hymns We Should Sing More, which seeks to edify the church with rich, biblical hymns. This is the seventh installment in this series. You can read the previous installments here.

All around the world, Christians gather for corporate worship and sing songs, hymns and spiritual songs as an act of worship to God. Specifically these hymns are full of rich biblical truths about God, mankind, salvation, the coming Kingdom and many other theological topics. Unfortunately, many Christians are unfamiliar with a vast number of theologically rich hymns.

When hymns are sung in a contemporary worship service, there is often a lack of repertoire of hymnology. This series, Hymns We Should Sing More, is a means of getting more Christians aware of the vast number of theologically rich hymns that we rarely, if ever, sing.

The hymn He Will Hold Me Fast was written by Ada R. Habershon in 1906. Grounding the believer’s hope in God’s sovereign grip, this hymn encourages believers to rest their salvation and life wholly upon God.

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I recently began a blog series entitled Hymns We Should Sing More, which seeks to edify the church with rich, biblical hymns. This is the sixth installment in this series. You can read the previous installments here.

All around the world, Christians gather for corporate worship and sing songs, hymns and spiritual songs as an act of worship to God. Specifically these hymns are full of rich biblical truths about God, mankind, salvation, the coming Kingdom and many other theological topics. Unfortunately, many Christians are unfamiliar with a vast number of theologically rich hymns.

When hymns are sung in a contemporary worship service, there is often a lack of repertoire of hymnology. This series, Hymns We Should Sing More, is a means of getting more Christians aware of the vast number of theologically rich hymns that we rarely, if ever, sing.

The hymn And Can It Be That I Should Gain? was written by Charles Wesley in 1738. This hymn remains one of Wesley’s greatest works in all of the 6,000 hymns that he wrote.

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I recently began a blog series entitled Hymns We Should Sing More, which seeks to edify the church with rich, biblical hymns. This is the fifth installment in this series. You can read the previous installments here.

All around the world, Christians gather for corporate worship and sing songs, hymns and spiritual songs as an act of worship to God. Specifically these hymns are full of rich biblical truths about God, mankind, salvation, the coming Kingdom and many other theological topics. Unfortunately, many Christians are unfamiliar with a vast number of theologically rich hymns.

When hymns are sung in a contemporary worship service, there is often a lack of repertoire of hymnology. This series, Hymns We Should Sing More, is a means of getting more Christians aware of the vast number of theologically rich hymns that we rarely, if ever, sing.

The hymn How Sweet and Awful is the Place was written by Isaac Watts in 1707. This title may seem odd to many of you, therefore you must understand that the word awful conveyed the sense of “awe-inducing,” which a modern equivalent would be awesome. Therefore, many hymnals translate the title How Sweet and Awesome is the Place to avoid the confusion all together.

This hymn beautifully weaves sound theology and heart-felt affections throughout the lyrics. Watts poses an excellent question that every Christian should ask, “Why was I made to hear Thy voice, when thousands make a wretched choice, and rather starve than come?” Watts grounds his assurance not in man’s response but in God’s sovereign grace that drew him in. Sadly, I have yet to find a contemporary rendition of this hymn outside of Together for the Gospel’s conference rendition, which you can listen to here.

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I recently began a blog series entitled Hymns We Should Sing More, which seeks to edify the church with rich, biblical hymns. This is the fourth installment in this series. You can read the previous installments here.

All around the world, Christians gather for corporate worship and sing songs, hymns and spiritual songs as an act of worship to God. Specifically these hymns are full of rich biblical truths about God, mankind, salvation, the coming Kingdom and many other theological topics. Unfortunately, many Christians are unfamiliar with a vast number of theologically rich hymns.

When hymns are sung in a contemporary worship service, there is often a lack of repertoire of hymnology. This series, Hymns We Should Sing More, is a means of getting more Christians aware of the vast number of theologically rich hymns that we rarely, if ever, sing.

The hymn Praise My Soul, the King of Heaven was written by Henry Francis Lyte in 1834, which is drawn primarily from Psalm 103. To hear a modern rendition of this beautiful hymn, check out River Valley Music’s rendition here. To purchase the song, please visit their iTunes page here.

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I recently began a blog series entitled Hymns We Should Sing More, which seeks to edify the church with rich, biblical hymns. This is the second installment in this series. You can read Part I here and Part II here. 

All around the world, Christians gather for corporate worship and sing songs, hymns and spiritual songs as an act of worship to God. Specifically these hymns are full of rich biblical truths about God, mankind, salvation, the coming Kingdom and many other theological topics. Unfortunately, many Christians are unfamiliar with a vast number of theologically rich hymns.

When hymns are sung in a contemporary worship service, there is often a lack of repertoire of hymnology. This series, Hymns We Should Sing More, is a means of getting more Christians aware of the vast number of theologically rich hymns that we rarely, if ever, sing.

The hymn Abide With Me was written by Henry F. Lyte in 1861 in the midst of facing death by tuberculosis. I pray that you are blessed, edified and encouraged through the words penned hundreds of years ago.

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A few weeks ago, I began a blog series entitled Hymns We Should Sing More, which seeks to edify the church with rich, biblical hymns. This is the second installment in this series. You can read Part I here. 

All around the world, Christians gather for corporate worship and sing songs, hymns and spiritual songs as an act of worship to God. Specifically these hymns are full of rich biblical truths about God, mankind, salvation, the coming Kingdom and many other theological topics. Unfortunately, many Christians are unfamiliar with a vast number of theologically rich hymns.

When hymns are sung in a contemporary worship service, there is often a lack of repertoire of hymnology. This series, Hymns We Should Sing More, is a means of getting more Christians aware of the vast number of theologically rich hymns that we rarely, if ever, sing.

The hymn Not What My Hands Have Done was written by Horatius Bonar, a Scottish Hymn Writer, in 1861. I pray that you are blessed, edified and encouraged through the words penned hundreds of years ago.

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